As we enter the final four weeks before Christmas, so begins the nightmare of how to fit everything in. From now until the big day – and, really, until we’ve safely seen the New Year in – oft will be uttered the words: “I’d love to… but it’s just so busy at this time of year”.
I’ve come to realise why — the reason that every year, without fail, we find ourselves somehow even busier than in the manic Advent of the year before. It’s because, put simply, we create new traditions. And, Christmas being a festival steeped richly in tradition, we do something once and then do it again every year until we die. Here’s another phrase you’d better get used to hearing: “It wouldn’t be Christmas without it.”.
Last December, my parents invited their friends, Carol and Kevin Baughan, to Waddesdon Manor in Aylesbury. It looked extremely festive: the rooms in the Neo-Renaissance house were festooned with Christmas trees and Victorian decorations; its gardens featured sculptural installations by British artist Bruce Munro. Mum and Dad were so impressed by it all, that they took me and my siblings to see it for ourselves later that month. The Baughans were so impressed, they suggested we all go again to see this year’s display, entitled Winter Light, tonight.
Parking in the now-completed £4.4 million car-park at the bottom of the hill, we were bussed up to the house which, after briefly visiting the frankly uninspiring selection of stalls at the Christmas Fair (new for this year, but only open until next Sunday, 7 December), we entered. Touring the house took around 45 minutes, and although large parts of it were inaccessible, those that were open were well worth seeing. This year, the theme indoors was Lights and Legends, reflecting stories and rituals from around the world. As such, there was plenty to see that was new – and the accompanying section labels were surprisingly informative. Father and I were most amused when we overheard a Waddesdon room guide, overseeing the corridor by the bathroom, explaining to a foreign visitor: “Oh no, madam. I’m sorry, you can’t use that lavatory. The public facilities are downstairs.”
This new site-specific installation is inspired by the term ‘Harvest Moon’ which refers both to the traditional timing of harvest (coinciding with a full moon to lengthen the working day), and to the golden appearance of the moon at harvest time. His visual pun yields a bumper crop of full moons.
[PHOTO: © Andrew Burdett 2014]
After leaving via the gift-shop (which touts Rothschild wines, under a unique arrangement between the National Trust and The Rothschild Foundation), we enjoyed a cup of tea before heading over to the Winter Light trail. Just like the decorations inside the house, the Munro display outside was similar but distinctly different to last year’s. I was particularly impressed by Good Seed, a structure comprised of nineteen lampposts jutting out at myriad angles which is said to be inspired by “the eternally burning Victorian lamppost in CS Lewis’s Chronicles of Narnia“. The final work is named Beacon, a warm and attractive installation that marks the end of the trail.
After getting back to Maidenhead, we headed to the Baughans’ for a lasagne supper, picking up my brother Matthew en-route. A splendid end to a wonderful evening, this annual Waddesdon outing is one Christmas tradition that I will gladly repeat in 2015.
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As we pulled up at the car-park at Waddesdon Manor, the sun was setting on the last evening of November 2014. [PHOTO: © Andrew Burdett 2014]
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A tree is partially reflected in the water of a well within the Waddesdon estate.
[PHOTO: © Andrew Burdett 2014]
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A Christmas tree stands proudly at the entrance to the house at Waddesdon.
[PHOTO: © Andrew Burdett 2014]
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Illuminations hang on the branches of a tree, whilst in the background the sun sets. [PHOTO: © Andrew Burdett 2014]
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A row of illuminated firs at the top of the Waddesdon Manor driveway. [PHOTO: © Andrew Burdett 2014]
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The hallway at Waddesdon, dressed grandly in red.
[PHOTO: © Andrew Burdett 2014]
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Twigs, bundled like logs on a miniature sledge, decorate a table in one of the rooms at Waddesdon.
[PHOTO: © Andrew Burdett 2014]
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An alternative view of the Christmas decorations in the Waddesdon Manor hallway.
[PHOTO: © Andrew Burdett 2014]
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One final display from the Lights and Legends show at Waddeson Manor this Christmas.
[PHOTO: © Andrew Burdett 2014]
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Simple but effective, these glass baubles – which sit on the mantlepiece of a Waddesdon room – are stuffed with a fluffy, cotton wool-like material.
[PHOTO: © Andrew Burdett 2014]
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Leading from one part of the house to another, a corridor is decorated with a star-curtain.
[PHOTO: © Andrew Burdett 2014]
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My father, Richard Burdett, inspecting a dragon hung around the staircase that leads visitors down to another part of the house.
[PHOTO: © Andrew Burdett 2014]
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Juxtaposed here: the Christmas tree with all its warmth and festivity, against the shadowy backdrop of the Waddesdon arms collection.
[PHOTO: © Andrew Burdett 2014]
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Although not all parts of the house were open, even the inaccessible corridors were decorated.
[PHOTO: © Andrew Burdett 2014]
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A white Waddesdon Christmas tree stands in the corner of a red-decorated room.
[PHOTO: © Andrew Burdett 2014]
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Ingo Maurer’s exploding porcelain chandelier, Porca Miseria, is one of my favourite artworks in Waddesdon. The piece was commissioned by Lord Rothschild in 2003, and hangs in the Blue Dining Room, reflecting its banqueting theme.
[PHOTO: © Andrew Burdett 2014]
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In the Billiard Room, part of the Bachelors’ Wing (the oldest part of the house), decorations adorn the central table.
[PHOTO: © Andrew Burdett 2014]
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Another photograph of the billiards table in the Bachelors’ Wing.
[PHOTO: © Andrew Burdett 2014]
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In one of the bathrooms at Waddesdon, a display inspired by Antonia Barber’s story of The Mousehole Cat, made by children from East Claydon, Stone, Ashfold, and Beachborough schools.
[PHOTO: © Andrew Burdett 2014]
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Although these look like spherical orbs from afar, they are in fact 20 cylindrical bales of hay, scattered through the Aviary Glade at Waddesdon.
[PHOTO: © Andrew Burdett 2014]
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This new site-specific installation is inspired by the term ‘Harvest Moon’ which refers both to the traditional timing of harvest (coinciding with a full moon to lengthen the working day), and to the golden appearance of the moon at harvest time. His visual pun yields a bumper crop of full moons.
[PHOTO: © Andrew Burdett 2014]
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Framed against the half-moon in the midnight-blue sky above, the nineteen lampposts constituting Good Seed branch out from a central core. The work is inspired by the eternally burning Victorian lamppost in CS Lewis’s Chronicles of Narnia.
[PHOTO: © Andrew Burdett 2014]
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Field of Light is Munro’s most well-known and iconic artwork, and his “personal symbol for the good things in life”.
[PHOTO: © Andrew Burdett 2014]
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Munro has experimented with this site-specific installation’s form and created continually changing iterations of it since he first created the work in 2004. This version of the Field of Light is new and is Munro’s World War One commemorative work. It is created in the circular Rose Garden to represent a poppy.
[PHOTO: © Andrew Burdett 2014]
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The inspiration for the Field of Light was originally conceived during a 1992 trip through central Australia, and the phenomenon of deserts springing magically to life after a rare rainfall. The spheres and stems quietly wait until darkness falls and then bloom with gentle rhythms of coloured light.
[PHOTO: © Andrew Burdett 2014]
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This new piece of work evokes Munro’s time in Australia, where he lived as a young man, working in the design industry. He and his future wife, moved from Sydney to a house in a sprawling wood of gum trees, close to a beach, where great flocks of birds would congregate. The memory inspired this installation, in which the sounds of cockatoos combines with the iconic Australian Hills Hoist clothes line and fluorescent acrylics to capture the essence of a time and place.[PHOTO: © Andrew Burdett 2014]
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The Field of Light, by Waddesdon’s artist-in-residence Bruce Munro, is seen from a hillside on the estate.
[PHOTO: © Andrew Burdett 2014]
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Built on the superstructure of a geodesic dome, Beacon was created in the summer of 2013 and is seen here at the Waddesdon winter 2014 display.
[PHOTO: © Andrew Burdett 2014]
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Under a winter’s moon, Beacon radiates light and marks the end of the Munro trail at Waddesdon.
[PHOTO: © Andrew Burdett 2014]
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Seen here from an angle, the facade at Waddesdon is particularly impressive by night.
[PHOTO: © Andrew Burdett 2014]
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The view from the driveway at Waddesdon, as we awaited the shuttle-bus back to the car-park.
[PHOTO: © Andrew Burdett 2014]